Monday, September 28, 2009

DOCUMENTARY PHOTOGRAPHY: Portugal's Vanishing Salt Production Industry By Joao Pedro Marnoto At GAIA PHOTOS


Still using traditional baskets known as "canastras", the Marnoto collect salt. Requiring great physical effort to carry, when completely filled, canastras weigh between 50 and 70kgs.

Photo © Joao Pedro Marnoto All Rights Reserved - Follow Me On Twitter

Documentary photographer Joao Pedro Marnoto explains, "I start by emphasizing that this work on the Marnoto salt extraction has a deep personal resonance since it portrays an activity that most likely my ancestors had."

Joao Pedro Marnoto continues, "An ancient activity that was once of great economic and social importance, the last several decades have left less room for the economic survival of the Marnoto as expansion of global markets have led to greater competition in the salt industry. Soon this way of life will only appear in the social and cultural documentary records, and part of our collective memory."

Please continue learning about Portugal: Marnoto, from Sun to Salt, now appearing on Gaia Photos. Comprised of 52 photojournalists from around the globe, each photographer shares Gaia's united mission of promoting quality and diversity in documentary photography worldwide.

Please Visit Us and visit Joao Pedro Marnoto's website.

You can also search for assignment photographers at Gaia Photos, a place to explore and discover the issues facing the diverse population and locations of our world, both near and far.

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PHOTOGRAPHY: The Audience Of The Present Will Give Way To More Evolved Viewers Of The Future


In the future, documentary photography will enjoy a higher viewing audience.

Photo © John Brown All Rights Reserved - Follow Me On Twitter

THE REALITY

In advertising sales, the people doing the pitching are constantly reminded to know and understand "the audience". Conversely, to most freelance documentary photographers, "the story" trumps the audience. Provided the photographs are passable, today's editors determine whether a photo story is "editorially relevant" enough to be published. In this light, they share the same playbook as the advertising pitchmen.

WHO IS THE AUDIENCE ?

In an interview with American photographer Chris Jordan that appeared on Jörg Colberg's weblog Conscientious, Jordan told Mr. Colberg, "I think Americans in the first decade of the 21st century will be looked back upon by more evolved societies of the future as some of the most spiritually lost people in the history of humankind."

If Jordan is correct, it makes GAIA Photos member Alex Masi's question, "Are journalism and visual communication still effective tools that can achieve a constructive change in society?" quite impenetrable. The India based freelance photojournalist wonders further, "Have they lost their power to mobilize the people altogether?"

Masi answers his own questions by saying, “Well, it depends”. Some people will be moved by a report. Others might be led into action by it. Even more will not take notice."

Masi points out with realistic resignation, "This is the deal you have to sign to when choosing to be a reporter, whichever tools you use, a pen, a video/photo camera or even just your voice, by telling others what you have witnessed or learned." Nevertheless, "the deal" one signs up for today may look different in the future.

WHAT DOES TODAY'S AUDIENCE WANT TO SEE ?

Addressing readers’ priorities, Santo Domingo photographer and writer Jon Anderson has said, "I don't care if some teen idol gets more hits than a serious piece of reportage - that is a meaningless statistic that is always offered up as if it were somehow a revelation about our priorities. Bull."

He continues, "Of course inflated tits are going to get more attention - it is all about pleasure, as I have argued in the past. But there is pleasure and there is pleasure. Mature, adult pleasures have their place too. Aesthetic pleasure. Intellectual pleasure. People crave these too and will seek them out. Perhaps in fewer numbers, but so what?"

Anderson may be correct regarding the point of pleasure but "fewer numbers" translate to "editorial irrelevance" in the minds of ad pitch people and editors. One only needs to watch a few moments of American TV "news" programming to gain insight about the audience Jordan describes.

In that regard, I concur with New York photographer Preston Merchant when he says, "It is harder and harder for photography to be taken seriously as a mode of intellectual discourse as it proliferates cheaply and unremarkably through digital media. Photography is a niche concern. No one except photographers care." That's the state of affairs today.

WHAT DO PHOTOGRAPHERS DO ABOUT THIS ?

Without a doubt, Mr. Anderson, Mr. Masi and Mr. Merchant are all passionate about the work they do and the stories they tell. That each man perceives difficulty in crowd-sourcing an audience that shares their concerns about the world around them doesn't mean their stories aren't important.

Masi for example has filed reports regarding child labor in India and Anderson has profiled the lives of sugar industry workers in Haiti. India is a country where 460 million people live below the global poverty line of $1.25 USD per day while Haiti is almost totally reliant upon foreign aid as a failed state with severe poverty, endemic corruption, high unemployment, pervasive hunger and little access to health care. Life is a constant struggle for most Haitians, who face the most significant challenges of any country in the Western Hemisphere.

The current audience will keep running for the exits despite these circumstances but documentary photographers will continue to dance on stage with the assurance that the community Jordan describes will slowly be replaced by forward looking people who'll take the theater's marquee to heart.

"More evolved societies of the future" are the audiences who will share the passion of men and women documenting the world today. Future societies will voraciously consume our present day work as if it were the buttered popcorn in the show of life.

The sad part is, neither we nor the people we document will be around for the curtain call.

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Friday, September 25, 2009

PHOTOGRAPHY ACCESS DENIED - How Photojournalists Covered The First Cambodian Genocide Trial From A Distance


Prison cell doors are swung open at the Tuol Sleng Genocide Museum in Phnom Penh, Cambodia.

Photo © John Brown All Rights Reserved - Follow Me On Twitter

THE SITUATION

What if you were a photojournalist assigned to document an international news event but it's organizers denied you and your colleagues full access to the episode's main stage? How would you work around that obstacle yet show the world what's happening?

That's the conundrum that faced photojournalists at the recently concluded trial of former Tuol Sleng S21 Prison Chief Kaing Guek Eav, also known as Duch, held at the Extraordinary Chambers in the Courts of Cambodia (ECCC) in Phnom Penh, Cambodia. Mr. Kaing Guek Eav was answering charges of "crimes against humanity" related to his role as a Khmer Rouge member during Cambodia's Pol Pot regime, which lasted from 1975 to 1979.

Peter Maguire, a specialist in international justice and author of "Facing Death in Cambodia" said, "I would put this [trial] under the category of therapeutic legalism."

PHOTOJOURNALISTS FORCED TO BE CREATIVE

Since photographers and cameramen were not allowed inside the courtroom during the trial, they were forced to snap from outside when the doors swung open.

Here is a look at how photojournalists, including Magnum Photos John Vink, produced photography without access to the theater itself while creatively capturing newsworthy imagery! As you can see from these reports appearing on Ka-set.info…..

they photographed everything from TV monitors to car window reflections. Mr. Vink even took pictures of a cow! As he explained to The Cambodia Daily's Michelle Vachon, " I hope that people will perceive that what I photograph is what I can leave to history, but that it will not really be conclusive as a report, as a story of what the trial is."

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Tuol Sleng Genocide Museum

PHOTOJOURNALISM: 9 Things You Need Besides a Camera - Photography Tips On Ezine By GAIA PHOTOS Director Morten Svenningsen


Find out what you'll need besides a camera before embarking on a career as a photojournalist.

Artwork © Charles Bragg All Rights Reserved - Follow Me On Twitter

GAIA PHOTOS Director Morten Svenningsen, a professional photojournalist based in Nepal, discusses what people contemplating a photojournalism career will need besides a camera in a recent article he wrote that’s appearing on Ezine.

Svenningsen prefaces his essay by saying, "You'll be wrong (and you won't be the only one) if you think that you just need to spend X thousand dollars on some top professional camera equipment, and then you're on your way to becoming a successful photojournalist. It takes a whole range of skills. So ok, what do you need? Here is a list of 9 things that are essential to making it as a photojournalist besides the camera!"

Let's have a look at Photojournalism As a Career - 9 Things You Need Besides a Camera.

9 Things You Need Besides a Camera

1. Flair for the visual

Goes without saying. You need to have some talent, be artistic and have creativity in the visual world. Some are born with a fantastic visual awareness, others need to develop it. We now live in a visually over-saturated world, so it's easy to find sources of inspiration.

Go to exhibitions, read photo books, look in magazines etc. Find out what style you like. Don't try and copy it, but use it as inspiration to create your own visual style. Everyone can take a picture of something. Professional photojournalists need to do it with style!

4. Money in the bank

If you're just starting out as a freelance photographer / photojournalist, you'll probably need to hang in some time before you have generated enough sources of income to keep you afloat. This might be anywhere from 6 months to 6 years. Depending on your talent, savvy, dedication and luck!

Even if you're working as a fairly established freelancer, next month's income is not always certain. Photo equipment is expensive, it needs to be maintained and replaced every now and then. So it takes a bit of capital to avoid going broke in the process of building your career.

6. Nerves of steel

In those dodgy situations, or when the adrenalin kicks in for whatever reason, you need to keep your calm, compose and time your shot, get the right angle, focus and exposure. In less dodgy, more everyday situations, you need to have the nerves to break the ice, get intimate with strangers, step away from the crowd and not to freeze up when you are finally face to face with the moment you've been waiting for.

Please continue reading about 9 Things You Need Besides a Camera

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ABOUT THE AUTHOR

The article's author, photojournalist Morten Svenningsen, is also the founder and director of Gaia Photos, an international forum for global photojournalism online. With a team of 52 top photojournalists from around the world, Gaia Photos is your possibility to follow and comment on photojournalistic work, as it is produced and published!

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Documentary Photography From Nepal Now On Gaia Photos Tibetan Crackdown Pays Off By Morten Svenningsen


Norbu Gualtsen Rangzen (28) sustained injuries on his head, arm and back from police beatings during March 10, 2008 demonstrations in Kathmandu, Nepal.

Photo © Morten Svenningsen All Rights Reserved - Follow Me On Twitter

Nepal: Tibetan Crackdown Pays Off

Photojournalist Morten Svenningsen has been hitting the streets of Kathmandu, Nepal for over a year to document the ever changing state of political affairs.

As Svenningsen explains, "Since March 10th 2008, Nepal’s capital, Kathmandu, has witnessed a series of anti-Chinese protests from the substantial community of resident Tibetan exiles."

Further, he observes, "The Chinese foreign minister pledged to promote Chinese business and tourism in Nepal, along with a check of 1.2 billion Nepalese rupees (20 million USD) in grant assistance. Minister Yang also expressed commitment to “provide equipment and necessary training to strengthen the security situation in Nepal.”

The pending 50 year anniversary of the Dalai Lama’s exodus from Tibet in 2009 “seemed to be a special concern for them,” said a Nepalese official who participated in the meetings."

To learn more about the circumstances shaping politics in Nepal, please view Nepal: Tibetan Crackdown Pays Off as viewed through photojournalist Morten Svenningsen's lens.

Please Visit Us and see other feature stories by Morten Svenningsen or visit his photoblog.

You can also search for assignment photographers at Gaia Photos, a place to explore and discover the issues facing the diverse population and locations of our world, both near and far and subscribe to our continually updated new features page too!

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Thursday, September 24, 2009

PATTAYA THAILAND: Tattoo Artists Draw Skin Art In Southeast Asia


A tattoo artist draws on a tourist's arm at a tattoo shop in Pattaya, Thailand.

Photo © John Brown All Rights Reserved - Follow Me On Twitter

Do you have a tattoo or two?

From Buddhist monks young and old to visitors enjoying a holiday, Thailand is the perfect place to get tattooed. Professional tattoo artists are plentiful in Siam, from Bangkok and Chiang Mai to Ko Phi Phi and Phuket. Most shops offer hygienic service and superb tattoo art at rates significantly below many European countries and the USA.

Whether you are getting your first tattoo or your body is covered with art, a gaze through the window of the next tattoo shop you pass will offer a glimpse into the world of a long-standing Oriental art.

If you have a destination you want to promote in SE Asia, email me and maybe we can work something out.

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PHOTOGRAPHY: UNICEF Picture Of The Year Contest For 2009 Gives A Voice To World's Children


Photo © Alice Smeets All Rights Reserved - Follow Me On Twitter

The photograph seen above taken in Haiti by Alice Smeets is one of a series of photos that she submitted to last year's UNICEF Picture Of The Year (POY) Contest. If the children's circumstances in this photo don’t make a person angry, I don't know what will. Nevertheless, some people still march to the drumbeat of indifference, sadly necessitating the world's children be given a voice by documentary photojournalists from around the world yet again this year.

In that light, the UNICEF POY for 2009 is currently soliciting entries. It's a contest that DOES NOT ask for an entry fee, unlike may others, and the exposure your subjects receive is top notch.

LAST YEAR'S WINNER ALICE SMEETS

Last year a 21-year-old woman from Belgium, photographer Alice Smeets, took the top prize with her photo of a young Haitian girl in the 2008 UNICEF "Photo of the Year" contest.

Although I like her award winning photograph for it's simplicity, its gradation somehow echoes Klavs Bo Christensen's richly saturated palette seen in a set of images he also captured in Haiti. Three judges disqualified his Denmark "Picture of The Year" entry earlier this year, so UNICEF POY entrants should be mindful of how far to push the envelope.

If you're a Lightstalker member, the following LS members can nominate for the award: Peter van Agtmael, Patrick Brown, James Whitlow Delano, Sherri Dougherty, Sheryl Mendez and Jake Price. To become eligible, please contact one of the nominators with your contest submissions for consideration.

DO YOU WANT TO LEARN MORE ABOUT CHILDREN AROUND THE WORLD ?

Are you curious about the world's children and some of the circumstances they face? Perhaps then you'll be interested in viewing the world through the eyes of 52 photojournalists whose photography and text stories appear on Gaia Photos.

GAIA Photos members have done well in the UNICEF POY competitions, with GMB (Golam Mostofa Bhuiya) Akash from Bangladesh taking 2nd place honors in the 2007 contest and Germany's Gordon Welters receiving honorable mention in 2008.

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Photography Guest Of The Week Laura El-Tantawy - Egypt


Photo © Laura El-Tantawy All Rights Reserved - Follow Me On Twitter

Documentary photographer Laura El-Tantawy explains, "From India to the Middle East, women have traditionally adorned the veil, a sheer fabric to cover their hair and sometimes their face. While some wear it for purely traditional purposes, others will don it as a rite of passage when a girl grows from childhood to adulthood, as do women in Muslim cultures."

This ongoing documentary project about women living with the veil is the subject of her photo reportage Unveiling Women Behind Veils, now appearing on Gaia Photos. Comprised of 52 photojournalists from around the globe, each photographer shares Gaia's united mission of promoting quality and diversity in documentary photography worldwide.

Ms. El-Tantawy says, "The aim of this body of work is not to show the veil as a symbol of repression, but to “unveil” a portrayal of women that will reflect on their dignity and strong character while staying true to their femininity."

ABOUT LAURA EL-TANTAWY

UK born Laura El-Tantawy's photography bestrides the subtle distinctions between documentary and fine art photography. Her photos are inspired by her vision and a pesky persistence to see the world through a vibrant palette of color.

Raised in Egypt, Laura El-Tantawy's personal projects have taken her through Egypt as well as Saudi Arabia, Iran, India, Thailand, Senegal and the Gambia, France, Italy and England.

Her photography has appeared in several print and online publications including; Saudi Aramco World, Harpers, National Geographic, Thailand: 9 Days in the Kingdom, Bangkok 101, Burn Magazine, Eleanor Magazine and F-Stop.

Laura El-Tantawy divides her time between London, UK, and Cairo, Egypt.

Please Visit Us and visit Laura El-Tantawy's website.

You can also search for assignment photographers at Gaia Photos, a place to explore and discover the issues facing the diverse population and locations of our world, both near and far.

Please subscribe to our new features page to keep track of new stories too!

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Wednesday, September 23, 2009

DEMOCRACY IN CAMBODIA: Cambodians Warn US Congress - Khmer People Face A Grave Threat To Democratic Development


A partially paralyzed stroke victim who's a double amputee relaxes in his new home at a resettlement community in Cambodia.

Photo © John Brown All Rights Reserved - Follow Me On Twitter

Human rights and freedom of expression are under grave threat in Cambodia today, a panel of Cambodian witnesses told representatives of Tom Lantos' Human Rights Commission, a US congressional body that monitors human rights norms around the world. The hearing took place earlier this month at the US Congress in Washington DC, USA.

TESTIMONY BY NATIONAL ASSEMBLY MEMBER MU SOCHUA

In prepared remarks obtained by the Phnom Penh Post, Sam Rainsy Party parliamentarian Mu Sochua testified, "I am one of the thousands of innocent journalists, trade union leaders, teachers and villagers who are tried by a judicial system that is well known for corruption, for incompetence and for acting under the control of the government and those who have political influence & money..."

Sochua continued, Cambodian democracy is "experiencing an alarming free fall." Sochua, having refused to pay court-ordered compensation to Prime Minister Hun Sen in connection with her defamation conviction last month, warned that she will be sent to prison in the absence of intervention by the US and other donor countries.

TESTIMONY BY DR. CHHIV KEK PUNG OF LICADHO

Testimony by Dr. Chhiv Kek Pung, President & Founder, Cambodian League for the Promotion & Defense of Human Rights (LICADHO) stated, "The ruling party has embarked on a campaign to crack down on freedom of expression and suppress the parliamentary opposition, the news media, the legal profession and, to some extent, NGOs. At the center of the campaign is the government’s misuse of the courts to file unjustified criminal charges against its critics."

Dr. Chhiv Kek Pung's testimony continued, "The situation of the news media – which was already tightly-controlled, especially television and radio – has grown particularly dire. The pro-opposition print media is on the verge of extinction, with the editor of the last remaining major-circulation daily newspaper aligned to the opposition (Hang Chakra, of Khmer Machas Srok newspaper) serving a one-year prison sentence."

As for Cambodia’s justice system the statement asserted that, "Cambodia’s justice system fails to uphold the rule of law and on a daily basis deprives justice to countless victims of crimes and rights abuses. Corruption is endemic in the police and judiciary, as well as political interference. Impunity is rampant, and the gravest of crimes – including murder, (PDF 4.6 MB, pp 41, 85) torture, rape, and trafficking of woman and children –frequently go unpunished if the perpetrators have money or influential connections."

Mu Sochua echoed these criticisms, calling for visa sanctions on officials suspected of corruption and a suspension of US aid to the Ministry of Defense until a regulatory framework is established for mineral and petroleum concessions.

PLEASE READ DR. CHHIV KEK PUNG'S ENTIRE 4 PAGE TESTIMONY (PDF, 130 KB) TO US CONGRESSMAN TOM LANTOS

CAMBODIAN GOVERNMENT DENIES REPRESSION
The Cambodian Embassy in Washington released a statement defending its government's record on human rights, though it did not mention the congressional hearing specifically. Koy Kuong, spokesperson for the Ministry of Foreign Affairs, repeated his criticism that the hearing was "unfair" because no representatives of the Cambodian government were invited.

"Like any democratic country in the world, Cambodia cannot allow the proliferation of voluntary public defamation and disinformation intended to create social disorder," the statement said.

"The opposition groups have never said anything good about the government," he said. "Whenever there is good news, they ignore it.", he added.

PLEASE CONTINUE READING ABOUT DEMOCRACY IN CAMBODIA

While I agree that the Cambodian government should have been invited to the hearing so the US congressional body could HEAR ALL VIEWS, so to should have Mu Sochua been allowed to speak on her own behalf on June 22, 2009 when the Cambodian People's Party (CPP) dominated National Assembly stripped her of parliamentary immunity.

Further, the June 22nd proceedings should have taken place out in the open with the international press, NGO's and human rights groups invited to attend. Instead, the Cambodian government's closed-door session effectively slammed Cambodia's door of democracy in the rest of the world's face.

After all, like any democratic country in the world, Cambodia cannot allow the proliferation of an atmosphere of government secrecy similar to that which has led to recent social disorder in China, Myanmar (Burma), Pakistan, Afghanistan, Iran and elsewhere.

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GAIA PHOTOS: Featured Photograph From Italy By Alessandro Vincenzi


The main occupation for young Moldovan women who've emigrated to Italy for work is taking care of elderly people.

Photo © Alessandro Vincenzi All Rights Reserved - Follow Me On Twitter

The juxtaposition of foreground and background provides the element that portrays the contrasting lives of the youthful and aged in this thought provoking color photograph by Alessandro Vincenzi.

Please see the entire photo story, Waiting for Mom by Alessandro Vincenzi, at Gaia Photos, a global group of 52 photojournalists who share a united mission of promoting quality and diversity in documentary photography worldwide.

Stay tuned to see more pictures from one of the nearly 100 photo stories you can view at the popular documentary photography website.

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Tuesday, September 22, 2009

GAIA PHOTOS: Featured Photograph Of African Refugee From The Republic Of The Congo By Espen Rasmussen


"I went back to our fields to get some bananas. We are so hungry. But the rebels were waiting for us in the fields and they attacked us. I managed to get away from them but I don't know what happened to the others," says this man displaced by the violence.

Photo © Espen Rasmussen All Rights Reserved - Follow Me On Twitter

This powerful black and white close-up of the man quoted above by Norway's Espen Rasmussen truthfully encapsulates the state of affairs in the Western African country known as the Republic of the Congo.

In 2008 Mr. Rasmussen, who hails from Oslo, Norway, was named to the Photo District News annual list of 30 photographers to watch from around the world.

Please view more photos from Africa's World War by Espen Rasmussen at Gaia Photos, a global group of 52 photojournalists who share a united mission of promoting quality and diversity in documentary photography worldwide.

Stay tuned to see more pictures from one of the nearly 100 photo stories you can view at the popular documentary photography website.

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DOCUMENTARY PHOTOGRAPHY: What Photojournalists Take Pictures Of And Why They're Not Being Published


Window shoppers on Lewers St. in Honolulu, Hawaii, USA may have been attracted to a shirt design featuring imagery of the late American pop-culture icon Elvis Presley. The garment was manufactured in Asia.

Photo © John Brown All Rights Reserved - Follow Me On Twitter

It seems as if documentary photojournalists and photographers are creating thought provoking photo reportage as never before. Stories such as Detroit: The Troubled City that depicts foreclosed homes in Detroit, Michigan, USA by veteran Magnum photographer Bruce Gilden to Suthep Kritsanavarin's award winning photo documentary, Siphadon: Mekong Fishing Under Threat that brings us pictures from Laos show the respective plights of people worldwide.

Despite this, according to Jean-Francois Leroy, founder and director of Visa pour l'Image, an annual festival held in France dedicated to contemporary photojournalism, photojournalists are finding the industry increasingly unsustainable, as it is almost impossible to secure funding for demanding, investigative stories.

THE PROFIT MOTIVE

As businesses, most magazines and newspapers are run by people whose only goal is profit. Fed by revenue from advertising that stokes the raging fires of consumerism, these entities and their editors claim that readers aren't interested in learning about the conditions people face around the world. Nevertheless, if one asked millions of people worldwide who've recently lost their jobs due to the global economic crisis if they were interested in the root cause of the worldwide meltdown, one might get a different answer.

CONNECTING THE DOTS

Photojournalists around the world have done a good job of showing our planet as it is and continue to do so. For example, the United States is the largest importer of garments from Cambodia, helping prop up a working environment where women, mostly under the age 21, work in factories manufacturing American wardrobes while living on less than $2 USD per day. Renowned photojournalists have captured photographs depicting the daily lives of several women sharing one-room apartments in buildings surrounded by open drains and garbage. Those photographs show the world, including Americans, the WHAT IS.

SHOWING THE WHY

Showing the world photography explaining WHY this IS so is more problematic. Jacqueline Tobin said in this blog post entitled Window Shopping that appeared on Photo District News, (PDN) a subsidiary of Nielsen Business Media, "Every day I walk past the Macy's Herald Square (New York USA) store [1] and ogle a designer handbag or killer pair of shoes in the window."

Tobin further described the window dressing at the Manhattan store by noting that in Spring 2009, "34 out of 39 Macy’s Herald Square windows currently house 175 of photographer Robert Altman’s photographs, taken between 1967 and 1974." The images portray celebrities such as Aretha Franklin, Elton John and Mick Jagger.

What's clear is Altman did fabulous work capturing fashion's WHAT IS between 1967 and 1974 and regarding the Herald Square windows exhibition he said, "By partnering with Macy’s, my vision was to encapsulate the emergence of this cultural movement and its impact on today’s consumer.”

WINDOW DRESSING

Suppose that instead of Altman's photos or "killer pairs of shoes", 34 windows at Macy's Herald Square store had been filled with photographs of people working in factories manufacturing American wardrobes for as little as 33 cents per hour, the average garment factory worker's wage in Cambodia. How would that "impact today’s consumer”?

Magazines, newspapers and even retailer's windows could expose horrendous working conditions people from Bangladesh to India encounter on a daily basis. Why isn't this happening? The answer is many companies that source products from poor Third World nations are the very entities advertising their wares in the same magazines, newspapers and windows in which the photos would appear! After viewing these photographs, perhaps Western World consumers would begin asking themselves WHY they are compelled to buy or even desire such items at all.

HOW PHOTOJOURNALISTS COULD PHOTOGRAPH WHY INSTEAD OF WHAT IS

In a perfect world, after photojournalists secured funding for assignments and projects, they would merely act as "go betweens", a conduit between those without voices and people with transformational powers. Nevertheless, as Jean-Francois Leroy says, that scenario is failing to play out.

The answer then lies in a shift that needs to occur in photojournalists' points of view. How could this be achieved? By crawling into the window displays that house iconic photos of pop culture and fashion and training their lenses on the voyeurs passing by on the sidewalk. Voyeuristic consumerism from the Western World as subject.

Perhaps only then will the typical WHAT IS photograph seen in the developed world begin to depict people living in Third World countries that appear similar to themselves.

After all, everyone loves to gaze into a mirror to see themselves.

ARE YOU INTERESTED IN DOCUMENTARY PHOTOJOURNALISM ?

Are you a person who is interested in documentary photojournalism and photography? If so, perhaps you'll be interested in viewing it through the eyes of 52 photojournalists whose photography and text stories appear on Gaia Photos.

Based in 35 countries that span the globe, the Gaia Photographers were brought together by Nepal based photojournalist Morten Svenningsen to promote quality and diversity in documentary photography.

The photographers' imagery has been featured in publications spanning the likes of Environment Magazine and National Geographic, to the Virginia Quarterly Review and The New York Times.

If you'd enjoy intensifying your appreciation concerning the testing conditions we are facing together on this planet please visit us and subscribe to our new features page to keep track of new stories.

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APPENDIX

[1] There is no suggestion that Macys is involved or has ever been involved in the importation of garments manufactured in Cambodia or that Jacqueline Tobin or any other Nielsen Business Media or PDN employee now purchases, has ever purchased, owns or has ever worn products manufactured by underpaid laborers working in weak regulatory environments. None of these parties is implicated in any way.

Further, there is no suggestion that Robert Altman, Aretha Franklin, Elton John, Grace Slick, Jerry Garcia, "Tiny Tim", Dennis Hopper, George Harrison, any other member of The Grateful Dead, Janis Joplin, Joan Baez, Tina Turner or Mick Jagger ever purchased, owned or wore products manufactured by underpaid laborers working in weak regulatory environments. None of these parties is implicated in any way.

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Photography Guest Of The Week Graeme Williams - South Africa


Republic of Congo, 29 May 2009. Impfondo town. The Baku people sell what produce they can at local markets and generally buy basics such as salt, soap and clothes.

Photo © Graeme Williams All Rights Reserved - Follow Me On Twitter

Congo: Baka Indigenous People Fighting For Survival

"The Republic of Congo’s indigenous people, the country’s first inhabitants, are under threat. The Baka, one of 15 ethnic groups who have traditionally lived as hunters and gathers in the forest of central Africa, confront two grave dangers. Their traditional habitat is under threat from commercial logging and they're often left landless, impoverished and exploited after leaving the forest."

That account by Shantha Bloemen sets the stage for Congo: Baka Indigenous People Fighting For Survival, a photo reportage now appearing on Gaia Photos by photojournalist Graeme Williams. Comprised of 52 photojournalists from around the globe, each Gaia photographer shares a united mission of promoting quality and diversity in documentary photography worldwide.

Shantha Bloemen continues, "The “Pygmy” became well known in the 19th century colonial imagination as “short, subhuman and backward”. Those deep seated attitudes sadly continue into the 21st century. Today, it is the country’s majority population, known as the Bantu, that benefit from their ongoing economic and social exclusion."

ABOUT GRAEME WILLIAMS

Graeme Williams began taking photographs as a teenager as a hobby but after earning Bachelor of Science degrees in Geology and Statistics at the University of Cape Town, he realized photography was to become his profession.

After a short stint as a photographer in London, Graeme returned to South Africa and in 1989 he began working for Reuters. In 1991 he started contributing to Afrapix, the South African documentary collective, and later went on to become a founder, member and manager of the South Photographs Agency.

His photography assignments have taken him to 38 countries and Graeme's photography has been published in major publications worldwide, including National Geographic Magazine, Time, Newsweek, The New York Times Magazine and Photography Magazine (UK).

He has produced two books: The Floor, documenting the last year of open outcry trading on the Johannesburg Stock Exchange, and The Inner City, an exploration of isolation captured through images of Johannesburg as it struggled to adjust to the changing social and political climate.

Further, he's staged 12 solo exhibitions and contributed to 30 group shows.

Graeme Williams lives and works in South Africa.

Please Visit Us and visit Graeme's website.

You can also search for assignment photographers at Gaia Photos, a place to explore and discover the issues facing the diverse population and locations of our world, both near and far.

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JOURNALISM & CORRUPTION IN CAMBODIA: Measuring Passion Against Politics, Money & Fear


Strong and passionate journalists who avoid wrestling with the truth promote freedom of expression in any country.

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In a recent Lightstalker discussion, fellow Gaia Photos member Marc-André Pauzé posed the question, "How come there has been journalists doing their jobs in totalitarian countries with passion and almost no freedom of the press?" They did (and still do) what they believe, out of passion."

Those thoughtful remarks by Mr. Pauzé are points to be pondered and I'll agree that honest, hard-working journalists from the Philippines to Iraq are risking their lives daily to exhume facts that influence us all. Nevertheless, there is a darker, corrupt face of journalism that exists in autocratic pockets of the world that few people seem to confront with honest discussion, particularly journalists themselves.

CAMBODIAN JOURNALISTS ARE CONTROLLED BY POLITICS, MONEY & FEAR

Do all journalists who operate in one-party systems do what they believe out of passion? The answer in Cambodia might depend on how a journalist's passion measures up against the people who butter their bread.

Cambodia’s news media is often described as one of the freest in the region, but as a 2008 report entitled Reading Between The Lines: How Politics, Money & Fear Control Cambodia's Media prepared by the Cambodian League for the Promotion & Defense of Human Rights (LICADHO) states, "If we look beyond just the quantity of newspapers and magazines, and listen to journalists and editors describe their working environment, we find a media closely controlled by politics, money and fear."

The report continues, "Journalists of certain political stripes - those from pro CPP (Cambodian People's Party) [1] newspapers, are usually free to defame, lie and propagandize in their pages with impunity." (pp 20). But those with a non-CPP political bent have regularly faced severe consequences for doing much the same."

BRIBING JOURNALISTS IN CAMBODIA - SHOW ME THE MONEY !

For example, it's common practice in Cambodia for senior political and business figures to grant "one-on-one interviews" to journalists who receive bribes of several hundred dollars. Two journalists described this practice as a form of “peaceful threat”, to ensure positive reporting or to keep reporters silent on sensitive issues [63].

Most journalists interviewed linked corruption to low salaries in the media industry. The average salary for a journalist is between $50 USD and $200 USD per month in Cambodia and 87% of those surveyed by LICADHO said their monthly salaries were insufficient to support themselves and their families [66].

Journalists therefore claimed they are forced to take bribes. On the other hand, while low salaries are no doubt a factor in the practice of corruption, it is by no means a blanket excuse as some better-paid journalists reportedly take bribes as well.

STATING THE FACTS…….ABOUT THEMSELVES

Several sources interviewed by LICADHO for the report said almost all journalists working for Khmer language media accept small bribes, yet in the survey only 33% admitted accepting money for attending press conferences.

Why the discrepancy? As the survey methodology section in LICADHO's report explained, "It was expected that respondents would under-report corruption (especially when related to them) and other sensitive questions." The report continued, "The fact that a third of the survey's respondents admitted accepting bribes is a significant finding."

Interestingly, one reason why journalists - especially freelancers - are quick to seek and take bribes is they often have to pay editors themselves to get their stories published. Commonly, $20- $60 USD is given to an editor by a non-staff reporter to get a freelance story published, a story which has obviously made even more money for the journalist [64].

After evaluating its findings, LICADHO stated, "The widespread corruption within the media raises obvious doubts about whether journalists can, to any large extent, play a watchdog role in exposing corruption and other abuses by government officials or other influential individuals."

CAMBODIAN JOURNALISTS AND NEWSPAPER SCAMS

The LICADHO report claims, "There are a host of newspapers which seem to exist mainly for the purpose of extortion, which publish only when a money-making scheme is underway. They generally come under two categories, “wishing papers” or “blocking papers”.

The "Blocking Paper" Scam

Blocking papers use blackmail to extort money from prominent figures or businessmen not to publish stories, especially when illegal logging, smuggling, corruption (PDF, 5 MB) or extra marital affairs are involved. For major scandals the pay-offs can be high - as much as $1,000 USD for a blocked story according to one senior editor.

Some pseudo-journalists will go as far as printing up a few copies of the story on newsprint to clearly show the damaging story. Others take on-the-spot bribes to turn a "blind eye" to misdeeds. For some it’s an industry.

The Jun Bo Or “Wishing Paper” Scam

In this scam, a publisher will publish an edition devoted to the birthday (or promotion, marriage, etc) of a senior politician and attribute the sponsored advertorial to a mid-ranking official or businessman, sometimes without their knowledge, much less their consent. The publisher approaches these mid ranking officials for payment, which is considered an investment to curry favor with the high-ranking figure.

On slow news days, English language newspapers might even report news of such frauds. After interviewing senior politicians or their spokesperson, it's clear that the high-ranking figures had nothing to do with the publication of such material.

Cambodian Celebrities Buy Fame……And Then Move To America !

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A variation to the wishing paper is celebrities buying fame. Young singers or actors pay publishers to appear on the cover of glossy magazines, according to a senior editor. The bribe for this can be as low as $100 USD. As well as being used for "career enhancement", the editor said these cover shots have also been used in visa applications for the United States, to prove that an applicant is likely to return to Cambodia due to their fame and fortune. “Most of them stay” in the US, he said [41].

POINTS TO PONDER FROM A LICADO CASE STUDY

1. It is common practice for journalists to receive envelopes of money in
exchange for attending press conferences and other events.

2. When a government ministry is involved, it (the money) comes from the finance department of that ministry, as shown by an accounting document provided by a journalist on the condition the name of the Ministry was kept confidential.

3. "Payments" to journalists were confirmed in a separate document, which listed the bribes as “expenses and allowances for journalists”.

So that's how it's done in Cambodia folks.

Marc-André Pauzé is a photojournalist who possesses a deep commitment to the integrity of social reportage so I don't want to infer in any manner that he's unaware of the journalistic environment in Cambodia nor compare Cambodia to a totalitarian country.

In fact, Cambodian Prime Minister Hun Sen recently addressed the issues of Cambodia's democracy and freedom of expression during a recent graduation ceremony speech in Phnom Penh by saying that government critics should "Be careful with the language of "dictatorial regime."

Mr. Hun Sen added, "Be careful, one day legal action will be used ... and "when legal action is used, you guys would say freedom of expression is prohibited, but your expression is wrong." Since Cambodia signed the International Covenant on Civil and Political Rights and incorporated it into Cambodian law, it's apparent that Mr. Hun Sen knows "yellow journalism" when he sees it.

Mr. Pauzé pointed out that W. Eugene Smith that once said, “We should try to be “Honest” in our research of facts." In that light I admire Mr. Hun Sen's dogged and unrelenting dedication to promoting freedom of expression in Cambodia as well as Mr. Smith's and Mr. Pauzé's altruistic natures.

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Nonetheless, the fact remains that corruption in the Cambodian media reflects the reality of Khmer society at large and although journalism is an industry that is supposed to be based on accuracy, fairness, independence and “honesty”, in Cambodia, as the LICADHO report summarizes, "The foundations of ethical journalism can be bought cheaply and the essential role of the media in society is compromised by systemic corruption."

APPEXDIX

1 The Cambodian People's Party is led by Cambodian Prime Minister Hun Sen. The party holds roughly 75% of all elected political offices in Cambodia and is frequently referred to as "The Power Party" by the country's residents.

41 Interview with editor on 12 September 2007.

63 Separate interviews with journalists on 23 August and 27 August 2007.

64 Interview with journalist 27 August 2007.

66 See media survey in annex, Q. 10 for salary and Q. 11 for sufficient/insufficient for needs.

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PHOTOGRAPHY: Photographer Antonin Kratochvil Comes Out Of Hiding & Talks To Outside Magazine About Growing Up In Czechoslovakia


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New York resident and VII Photo Agency photographer Antonin Kratochvil has been quoted as saying. "To live happy, live hidden." Nevertheless, Kratochvil comes out of hiding and Goes Outside in an article written by Eliza Griswold that appears in the September, 2009 online edition of Outside Magazine.

WHAT PEOPLE SAY - THE MAN & HIS WORK

Says Magnum Photos photojournalist Chris Anderson, "Antonin is the embodiment of instinct. His persona is that of an ogre, but he is frighteningly intelligent, the most astute observer of human behavior I know."

Persona aside, NEED Magazine explains, Mr. Kratochvil's photography is "fluid and unconventional work and he has been sought by numerous publications stretching across widely differing interests."

"From shooting Mongolia’s street children for the magazine published by the Museum of Natural History to a portrait session with David Bowie for Detour, from covering the war in Iraq for Fortune Magazine to shooting Deborah Harry for a national advertising campaign for the ACLU, Kratochvil’s ability to see through and into his subjects and show immutable truth, has made his pictures uncensored visions, not facsimiles."

ANTONIN KRATOCHVIL GOES OUTSIDE

Here are a couple of excerpts from the Outside Magazine article:

"I empathize with people who are being fucked," he says. "When I photograph them, I am photographing myself." Coming from anybody else, that would sound grandiose, but Kratochvil has an innate understanding of what his subjects go through, because he's lived it. He spent his early childhood in a Czech labor camp and grew up in Communism's grip."

"Whether it be image or object, Kratochvil handles what unsettles him by possessing it. Other things he's hung on to: his United Nations Refugee Agency identity card and a length of barbed wire from the Czechoslovakian border, which guards snipped for him as the Iron Curtain was being torn down during the 1989 Velvet Revolution."

Whether you know about the 62-year-old native of Czechoslovakia or not, Please Continue Reading About Antonin Kratochvil In Outside Magazine….he transcends photography.

DO YOU ENJOY DOCUMENTARY PHOTOJOURNALISM ?

If by chance you enjoy Documentary Photojournalism, perhaps you'll be interested in viewing it through the eyes of 52 photojournalists whose photography and text stories appear on Gaia Photos.

Based in 35 countries across the globe, the Gaia Photographers were brought together by Nepal based photojournalist Morten Svenningsen to promote quality and diversity in documentary photography.

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Monday, September 21, 2009

GAIA PHOTOS: Featured Photograph Of Drought Conditions In Kenya By Jenn Warren


Nomads bring their camels to the CARE International sponsored water well in Kumahumato, Kenya. The community struggles to keep their cattle alive due to a prolonged drought and failed rains in the region.

Photo © Jenn Warren All Rights Reserved - Follow Me On Twitter

The serpentine lines of a camel herd captured in this photograph by Jenn Warren outline the struggles CARE International faces while providing food and water to Somali refugees living in Kenya’s northern province.

Please view more photos from Parched Earth by Jenn Warren at Gaia Photos, a global group of 52 photojournalists who share a united mission of promoting quality and diversity in documentary photography worldwide.

Stay tuned to see more pictures from one of the nearly 100 photo stories you can view at the popular documentary photography website.

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Photography Guest Of The Week Paolo Patrizi - Japan


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Italy: Migrant Prostitution

Paolo Patrizi begins, "For nearly twenty years the women of Benin City, a town in the state of Edo in the south-central part of Nigeria, have been going to Italy to work in the sex trade and every year successful ones have been recruiting younger girls to follow them. The Nigerian trafficking industry is fueled by the combination of widespread emigration aspirations and severely limited possibilities for migrating to Europe."

"I drive along country roads on the outskirts of Rome and cannot help but notice scantly clad women dot the landscape […] working as prostitutes to send money home to their families. Some women are working by their own choice while others are not."

Documentary photographer Paolo Patrizi made these observations reporting near Rome, Italy and the environment where the African women work is the subject of his photo reportage Italy: Migrant Prostitution, now appearing on Gaia Photos. Comprised of 52 photojournalists from around the globe, each photographer shares Gaia's united mission of promoting quality and diversity in documentary photography worldwide.

Self-taught documentary photographer Paolo Patrizi's recent stories explore a theme common to many of us in the so-called developed world; the contradictions between traditions and modernity and cultural disconnections resulting from rapid economic growth.

Mr. Patrizi began his career in London working as an assistant to other professionals. While doing freelance assignments for British magazines and design groups, he started to develop his own individual projects. Today, his work is featured in leading publications and exhibited internationally.

Photography from Paolo's assignments has been published in Observer Magazine, Stern, Panorama, Corriere della Sera, GQ, Courrier Japon, Geo, XL Semanal, Przekroj, K-magazine, Handelsblatt, European Photography and many more.

His photography has received several awards with the Association of Photographers of London and has been exhibited internationally at The National Portrait Galleries of London and Edinburgh, The Royal Photographic Society in Bath, The Mangani gallery in Fiesole and The Tokyo Art Directors Club Gallery.

Please Visit Us and visit Paolo Patrizi 's website.

You can also search for assignment photographers at Gaia Photos, a place to explore and discover the issues facing the diverse population and locations of our world, both near and far.

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PHOTOGRAPHY: Aftermath Project Photo Award Winner Asim Rafiqui Blogs About Religion In India


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Do you ever wonder what's going on inside an award winning photographer's head?

In December 2008, The Aftermath Project awarded its annual $25,000 grant to photographer Asim Rafiqui who lives in Sweden and the US who plans to use the grant to fund a project on religious culture in India.

In a statement announcing the award, Aftermath Project judge Darius Himes of Radius Books said, Aisim Rafiqui's work as a photographer aims to recover this lost sense of religious pluralism and tolerance for a 21st century India.” Himes continued, “He [Rafiqui] states that he is "using photography not only as a means of evidence, but also as a vessel for the imagination."

THE SPINNING HEAD

One of the blogs I follow is Mr. Rafiqui's Spinning Head. He blogs about places from Afghanistan to the West Bank and is never shy about offering his thoughts about subjects ranging from Photography and Journalism to War.

Apparently, a short time ago he read an article that appeared in a recent issue of Granta magazine written by Rana Dasgupta regarding New Delhi, India entitled Capital Gains, "A piece on the city of New Delhi, India and its rampaging obsession with things material, brand-obsessed, consumerist, shallow, callow and crass." as Rafiqui describes.

Rafiqui's critique is interesting reading, especially considering the fact that he was awarded $25,000 to tell us about the religious culture in India using his vision. Before we see his forthcoming photos, he's allowed us to peer inside his Spinning Head by offering a review of Rana Dasgupta's article that begins by saying:

"A city of tens of millions of people, with a history and a heritage that goes back over a thousand of years and that contains within it an incredibly diverse, varied, complex community of people of all walks of life, beliefs, class, ethnicities, cultures, values, ideas, fears, doubts and dreams can never be called ‘a Hindu society’ alone."

Rafiqui adds, "This is such a vast idiocy that it can’t even be laughed it. Delhi is one of the world’s great cities and what makes it so is that it is a cradle of the world’s heritage and civilizations and that billions have passed through her, lived there, defined it and more will. It is a world city. Complete with the full complexity and vastness of what that term means."

PLEASE READ ASIM RAFIQUI'S COMPLETE REVIEW entitled,

How Hindus Are Destroying New Delhi Or An Exercise In Absolute Foolishness Masquerading As A Stupid Opinion on his blog.

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CAMBODIA GENOCIDE TRIAL: A New Civil War Could Kill 200,000 to 300,000 Cambodians Says Prime Minister Hun Sen


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BACKGROUND

It's no secret that Cambodian Prime Minister Hun Sen has long opposed the indictment of more Khmer Rouge at a special hybrid court known as the Extraordinary Chambers in the Courts of Cambodia (ECCC) in Phnom Penh, Cambodia.

As Taipei Times writer Putsata Reang described the court's makeup in December, 2007, "The court -- with its improbable blend of Cambodian and foreign judges and attorneys as well as laws -- is meant to be a model for judicial reform and independent justice in a country where impunity has long been the rule." Since the term "human right" by its very definition applies to all 7 billion of us, this is hardly a local issue.

Nevertheless, Mr. Hun Sen, a former Khmer Rouge member who seized power in a coup America refused to acknowledge, (political stability trumped human rights) has appointed himself as the gatekeeper charged with keeping the closet of history's door neither open nor closed.

As Mr. Hun Sen reminded us all in a speech delivered on Veterans Day, June 20 2009, "No one is bigger than Hun Sen; please ask who is bigger than Hun Sen…"

At present, the ECCC's door rests only slightly ajar with just a handful of Khmer Rouge members awaiting trial while one, former Tuol Sleng S21 Prison Chief Kaing Guek Eav, also known as Duch, is on "trial" now. He's previously confessed to his role relating to the great Cambodian genocide of 1975 to 1979 and people appointed to finding the "truth" are currently picking Mr. Kaing Guek Eav's brain in Phnom Penh.

ONLY FIVE PEOPLE FACE CHARGES - WHY ?

In early September, 2009 Hun Sen was quoted by AFP as saying, "If you tried (more suspects) without taking national unification and peace into consideration and if war re-occurred, killing between 200,000 and 300,000 people more, who would be responsible for it?"

Hun Sen made the remarks 6 months after a March, 2009 speech in which he made similar comments, asserting that further prosecutions at the Khmer Rouge court could destabilize Cambodia. He added that he would prefer the court failed than indict more suspects.

Khmer Rouge Prosecutor Robert Petit announced his intention to resign in November 2008 after his desire to put 6 more people on trial was met with resistance by Cambodian Co- Prosecutor Chea Leang. "We already have indicted enough [5] suspects", she said.

If the court fails, international donors would see nearly 100 million dollars join the flotsam of Phnom Penh's sewer system, about 10% of the amount Cambodia will receive from the global donor community in 2009.

Critics have viewed Mr. Hun Sen's remarks as nonsense and have stated that there is no risk of renewed fighting since the country's civil war ended in 1998. Further, they have accused the administration of trying to protect former Khmer Rouge regime members now holding positions in government.

Peter Maguire, a specialist in international justice and author of "Facing Death in Cambodia" said, "I would put this [trial] under the category of therapeutic legalism." Other detractors state that the court is being distracted by social agendas from its core task of seeking justice for crimes against humanity.

DOING THE MATH

Although I'm not a war demographer, it appears that most organized "official" and "outlaw" units of force around the world are comprised of fighting men between the ages of 11 and 35 years old. The Khmer Rouge members who face trial are all about 80 years old and Mr. Hun Sen himself is in his late 50's. The life expectancy of a typical Khmer man is about 60, meaning men in Mr. Hun Sen's age bracket and above are dying off. Pol Pot himself died several years ago and Ta Mok passed away as well.

So who will be motivated to fight for the Khmer Rouge ideology by picking up weapons and killing 200,000 to 300,000 of their fellow citizens?

Surveys have indicated that a low percentage of Cambodia's citizens understand the Extraordinary Chambers in the Courts of Cambodia proceedings or "two headed" structure. Further, since 70% of Cambodia's population is below age 34, they have neither memory nor knowledge of the genocide. The only objects the majority of this age group seems to have an ideological interest in holding in their hands are legal land titles (PDF), scooters, mobile phones and their newborn babies.

Therefore, it seems that Mr. Hun Sen feels that senior citizens between 50 and 100 years old, about 12% of the population, will go to battle if the Khmer Rouge court prosecutes 5 or 6 more Khmer Rouge members. If those people are now among Cambodia's wealthy and dominant perhaps he has a point. That group will stop at nothing (PDF 4.6 MB, pp 16, 19, 41, 85) to keep their social status in tact according to a report issued by Global Witness.

Perhaps, will it be international NGO's laden with terrorists who will bear arms. Cambodian People's Party (CPP) members have agreed with portrayals of NGO workers as rich scammers who receive money from international donors for the sole purpose of criticizing the Cambodian government. CPP lawmaker Cheam Yeap (PDF 4.6 MB, pp 15) remarked that a TV comedy show offering such portrayals represented the activities of NGOs accurately.

A PLEA TO CAMBODIA'S ELDERLY

Since international donors have far and away been Cambodia’s chief money-source over recent years and account for most of the symbols of affluence that one sees displayed by the rich and powerful in Cambodia, perhaps Mr. Hun Sen should kick Cambodian history's closet door wide open so the rest of the world can peer inside and examine any skeletons should they exist.

If this happens, although it's doubtful it will, I implore Cambodia's small and shrinking elderly population to; Please continue relaxing on your porch, reading your comic books, going to temple, riding your bicycles and enjoying your grandchildren should a few more Khmer Rouge members deservedly be indicted. Cambodia's young people need you to continue your exemplary non-violent behavior to help maintain social order.

The question of whether former Khmer Rouge communist regime members who may or may not be in government now should continue working to uphold Cambodian Democracy or be sent to the slammer is a question 7 billion people deserve an answer to, not just 13.3 million Cambodians.

To 13.3 million Cambodians; Do you know anyone who still feels that Pol Pot's doctrine is worth fighting for in order to preserve the Khmer Rouge legacy or would they just be fighting to maintain their positions so they and their comrades could avoid jail?

To the rest of the world. Instead of continuing to fund this "trial", go take care of a kangaroo and let Mr. Hun Sen run things as he sees fit.

Please continue reading about why 200,000 to 300,000 Cambodians could face death according to Prime Minister Hun Sen

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