Showing posts with label Culture. Show all posts
Showing posts with label Culture. Show all posts

Tuesday, May 25, 2010

Photography In Turkey: Istanbul Culture At Gaia Photos By Delmi Alvarez

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Photojournalist Delmi Alvarez looks around Istanbul Turkey in his photo essay


As Alvarez describes, "Istanbul was an ongoing issue in my travels. I have to admit that it has been a pleasant surprise, even though in this the first time, were a few days which I dedicated to photographing.”

He continues, “Istanbul, I was impressed by the warm hospitality of the Turks not to mention a tourist cash is an objective that has to be cared for and pampered. The Turks, as good traders, know that every foreigner who arrives in Istanbul is a fountain of money and get it out us by offering tea or whatever. The first of these strategies is that between the store and once in there to talk and negotiate, because everything can be negotiated. But be aware that not everyone has the same idea, because the city is full of people who sell watches, necklaces and other wonders in the end are real fraud.”


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Wednesday, May 12, 2010

TANGO DANCING IN MACEDONIA by Gaia Photos Photographer Ivan Blazev



Dancing at ‘Milongas’, a term for a place or an event where tango is danced.

Photo © Ivan Blazhev All Rights Reserved Follow Me On Twitter

Photojournalist Ivan Blazhev looks at the tango in Macedonia in his photo essay

As Blazhev describes, "Tracing its begining to the 1880’s in the Argentine underbelly, the houses of ill repute, Tango has had it’s periods of ups and downs. After the initial spread through all levels of the Argentine society, Tango found its way first to Paris, and then to other parts of the world. But after the coup in Argentina in 1955 and until the fall of the military junta Tango was ousted from public life by the repressive regime, and although it was never officially banned, less and less people danced especially the new young generations who took to Rock and Roll rather than Tango.”

              
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Tuesday, January 5, 2010

TRAVEL PHOTOGRAPHY In Pang Ma Pha (Sappong) Thailand


Photo © John Brown All Rights Reserved - Follow Me On Twitter

An ethnic Lahu woman enjoys a cigarette while sitting at her home in a remote village near Pang Ma Pha, Northern Thailand.

Pang Ma Pha, also known as Sappong, is located 6 hours west of Chiang Mai and can be reached by bus. Residents enjoy a relaxed way of life and the small outpost serves as the gateway to many small villages inhabited by various ethnic groups of hilltribe people including Lahus and Ankas.

Since there are no "guided tours" to these villages and few of the residents speak Thai but rather their native ethnic languages, travelers should brush up on non-verbal communication skills before setting out on one of the many trails leading to remote areas. The hilltribe people inhabiting this locale earn their sustenance as slash and burn farmers so the air is filled with smoke during the dry season.

If you want to get away from other travelers in over-run Chiang Mai, Pai and Mae Hong Son, a visit to Sappong, also home to the magnificent Tham Lod cave, is highly recommended.

Are you promoting a destination in SE Asia? Email me and maybe we can work something out.

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Monday, January 4, 2010

HAPPY NEW YEAR 2010 EVERYONE WHEREVER YOU ARE!


Photo © John Brown All Rights Reserved - Follow Me On Twitter In 2010!

Here's wishing every one of you....the nearly 7 billion people on planet earth, a HAPPY NEW YEAR. From Hollywood and Bollywood to Hobart and Hua Hin, as someone once said, we can still SAVE THE PLANET.

After all, if we don't, who will?

John Brown Photojournalist On LIGHTSTALKERS
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Thursday, December 31, 2009

PHOTOJOURNALISM GOES GLOBAL IN 2010 AT GAIA PHOTOS


Double your pleasure, double your fun with new friends at Gaia Photos!

Photo © John Brown All Rights Reserved - Follow Me On Twitter

If by chance you're curious about the planet we all live on, perhaps you'll be interested in viewing it through the eyes of nearly 60 photojournalists whose photography and text stories appear on Gaia Photos.

Based in 37 countries across the globe, the Gaia Photographers were brought together by Nepal based photojournalist Morten Svenningsen to promote quality and diversity in documentary photography.

In just 1 year, the crew has filed nearly 100 stories from 50 nations about the world we live in, from Afghanistan and Iran to Haiti and Burma.

The photographers' imagery has been featured in publications spanning the likes of China Daily and Der Spiegel to Outside and The Economist.

If you'd enjoy intensifying your appreciation concerning the testing conditions we are facing together on this planet, or are just interested in daily life beyond your street, please visit us and subscribe to our new features page to keep track of new stories.

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John Brown Photojournalist On LIGHTSTALKERS
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TRAVEL PHOTOGRAPHY: Respecting The Culture Of Buddhist Monks In Luang Prabang Laos


A line of novice Buddhist Monks receives alms at 6 am each morning in Luang Prabang, Laos.

Photo © John Brown All Rights Reserved - Follow Me On Twitter

Located between the Namkhan and the Mekong rivers, Luang Prabang was established 1200 years ago, making it one of the oldest cities in Laos.

Due to its ancient Laotian mix of colonial style houses with the surrounding environment, Luang Prabang was designated by UNESCO as a World Heritage City in 1995. The center of Luang Prabang features 445 traditional-style Lao houses, all of which combine to create a mystical, charming picture for visitors.

Set amidst this exotic environment, between Luang Prabang’s conservation zone and the Chomphet district across the river, there are over 150 Buddhist temples of diverse styles built throughout Luang Prabang’s long history.

THE LOCAL CULTURE

According to a report submitted to the UNESCO Office of the Regional Advisor for Culture in Asia and the Pacific by a local taskforce that interviewed 100 respondents, local people "Like to see the visitors go into the temples to take photos but they don’t like the way backpackers dress, wearing very little clothing and decorating their faces and bodies."

Furthermore, they disapprove of "women shaving their heads and men wearing long hair as well as hanging metal rings on ears, noses, tongues and stomachs."

FOR THE RECORD I DON’T CARE HOW DECORATE YOURSELF

Now that you have perhaps become a bit more culturally sensitive, you may enjoy visiting Luang Prabang, located about 10 hours by road north of Vientiane, the capital of Laos.

If you have a destination you want to promote in SE Asia, email me and maybe we can work something out.

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Monday, September 28, 2009

DOCUMENTARY PHOTOGRAPHY: Portugal's Vanishing Salt Production Industry By Joao Pedro Marnoto At GAIA PHOTOS


Still using traditional baskets known as "canastras", the Marnoto collect salt. Requiring great physical effort to carry, when completely filled, canastras weigh between 50 and 70kgs.

Photo © Joao Pedro Marnoto All Rights Reserved - Follow Me On Twitter

Documentary photographer Joao Pedro Marnoto explains, "I start by emphasizing that this work on the Marnoto salt extraction has a deep personal resonance since it portrays an activity that most likely my ancestors had."

Joao Pedro Marnoto continues, "An ancient activity that was once of great economic and social importance, the last several decades have left less room for the economic survival of the Marnoto as expansion of global markets have led to greater competition in the salt industry. Soon this way of life will only appear in the social and cultural documentary records, and part of our collective memory."

Please continue learning about Portugal: Marnoto, from Sun to Salt, now appearing on Gaia Photos. Comprised of 52 photojournalists from around the globe, each photographer shares Gaia's united mission of promoting quality and diversity in documentary photography worldwide.

Please Visit Us and visit Joao Pedro Marnoto's website.

You can also search for assignment photographers at Gaia Photos, a place to explore and discover the issues facing the diverse population and locations of our world, both near and far.

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PHOTOGRAPHY: The Audience Of The Present Will Give Way To More Evolved Viewers Of The Future


In the future, documentary photography will enjoy a higher viewing audience.

Photo © John Brown All Rights Reserved - Follow Me On Twitter

THE REALITY

In advertising sales, the people doing the pitching are constantly reminded to know and understand "the audience". Conversely, to most freelance documentary photographers, "the story" trumps the audience. Provided the photographs are passable, today's editors determine whether a photo story is "editorially relevant" enough to be published. In this light, they share the same playbook as the advertising pitchmen.

WHO IS THE AUDIENCE ?

In an interview with American photographer Chris Jordan that appeared on Jörg Colberg's weblog Conscientious, Jordan told Mr. Colberg, "I think Americans in the first decade of the 21st century will be looked back upon by more evolved societies of the future as some of the most spiritually lost people in the history of humankind."

If Jordan is correct, it makes GAIA Photos member Alex Masi's question, "Are journalism and visual communication still effective tools that can achieve a constructive change in society?" quite impenetrable. The India based freelance photojournalist wonders further, "Have they lost their power to mobilize the people altogether?"

Masi answers his own questions by saying, “Well, it depends”. Some people will be moved by a report. Others might be led into action by it. Even more will not take notice."

Masi points out with realistic resignation, "This is the deal you have to sign to when choosing to be a reporter, whichever tools you use, a pen, a video/photo camera or even just your voice, by telling others what you have witnessed or learned." Nevertheless, "the deal" one signs up for today may look different in the future.

WHAT DOES TODAY'S AUDIENCE WANT TO SEE ?

Addressing readers’ priorities, Santo Domingo photographer and writer Jon Anderson has said, "I don't care if some teen idol gets more hits than a serious piece of reportage - that is a meaningless statistic that is always offered up as if it were somehow a revelation about our priorities. Bull."

He continues, "Of course inflated tits are going to get more attention - it is all about pleasure, as I have argued in the past. But there is pleasure and there is pleasure. Mature, adult pleasures have their place too. Aesthetic pleasure. Intellectual pleasure. People crave these too and will seek them out. Perhaps in fewer numbers, but so what?"

Anderson may be correct regarding the point of pleasure but "fewer numbers" translate to "editorial irrelevance" in the minds of ad pitch people and editors. One only needs to watch a few moments of American TV "news" programming to gain insight about the audience Jordan describes.

In that regard, I concur with New York photographer Preston Merchant when he says, "It is harder and harder for photography to be taken seriously as a mode of intellectual discourse as it proliferates cheaply and unremarkably through digital media. Photography is a niche concern. No one except photographers care." That's the state of affairs today.

WHAT DO PHOTOGRAPHERS DO ABOUT THIS ?

Without a doubt, Mr. Anderson, Mr. Masi and Mr. Merchant are all passionate about the work they do and the stories they tell. That each man perceives difficulty in crowd-sourcing an audience that shares their concerns about the world around them doesn't mean their stories aren't important.

Masi for example has filed reports regarding child labor in India and Anderson has profiled the lives of sugar industry workers in Haiti. India is a country where 460 million people live below the global poverty line of $1.25 USD per day while Haiti is almost totally reliant upon foreign aid as a failed state with severe poverty, endemic corruption, high unemployment, pervasive hunger and little access to health care. Life is a constant struggle for most Haitians, who face the most significant challenges of any country in the Western Hemisphere.

The current audience will keep running for the exits despite these circumstances but documentary photographers will continue to dance on stage with the assurance that the community Jordan describes will slowly be replaced by forward looking people who'll take the theater's marquee to heart.

"More evolved societies of the future" are the audiences who will share the passion of men and women documenting the world today. Future societies will voraciously consume our present day work as if it were the buttered popcorn in the show of life.

The sad part is, neither we nor the people we document will be around for the curtain call.

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John Brown Photojournalist On LIGHTSTALKERS
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Friday, September 25, 2009

Documentary Photography From Nepal Now On Gaia Photos Tibetan Crackdown Pays Off By Morten Svenningsen


Norbu Gualtsen Rangzen (28) sustained injuries on his head, arm and back from police beatings during March 10, 2008 demonstrations in Kathmandu, Nepal.

Photo © Morten Svenningsen All Rights Reserved - Follow Me On Twitter

Nepal: Tibetan Crackdown Pays Off

Photojournalist Morten Svenningsen has been hitting the streets of Kathmandu, Nepal for over a year to document the ever changing state of political affairs.

As Svenningsen explains, "Since March 10th 2008, Nepal’s capital, Kathmandu, has witnessed a series of anti-Chinese protests from the substantial community of resident Tibetan exiles."

Further, he observes, "The Chinese foreign minister pledged to promote Chinese business and tourism in Nepal, along with a check of 1.2 billion Nepalese rupees (20 million USD) in grant assistance. Minister Yang also expressed commitment to “provide equipment and necessary training to strengthen the security situation in Nepal.”

The pending 50 year anniversary of the Dalai Lama’s exodus from Tibet in 2009 “seemed to be a special concern for them,” said a Nepalese official who participated in the meetings."

To learn more about the circumstances shaping politics in Nepal, please view Nepal: Tibetan Crackdown Pays Off as viewed through photojournalist Morten Svenningsen's lens.

Please Visit Us and see other feature stories by Morten Svenningsen or visit his photoblog.

You can also search for assignment photographers at Gaia Photos, a place to explore and discover the issues facing the diverse population and locations of our world, both near and far and subscribe to our continually updated new features page too!

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Thursday, September 24, 2009

PATTAYA THAILAND: Tattoo Artists Draw Skin Art In Southeast Asia


A tattoo artist draws on a tourist's arm at a tattoo shop in Pattaya, Thailand.

Photo © John Brown All Rights Reserved - Follow Me On Twitter

Do you have a tattoo or two?

From Buddhist monks young and old to visitors enjoying a holiday, Thailand is the perfect place to get tattooed. Professional tattoo artists are plentiful in Siam, from Bangkok and Chiang Mai to Ko Phi Phi and Phuket. Most shops offer hygienic service and superb tattoo art at rates significantly below many European countries and the USA.

Whether you are getting your first tattoo or your body is covered with art, a gaze through the window of the next tattoo shop you pass will offer a glimpse into the world of a long-standing Oriental art.

If you have a destination you want to promote in SE Asia, email me and maybe we can work something out.

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John Brown Photojournalist On LIGHTSTALKERS
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Photography Guest Of The Week Laura El-Tantawy - Egypt


Photo © Laura El-Tantawy All Rights Reserved - Follow Me On Twitter

Documentary photographer Laura El-Tantawy explains, "From India to the Middle East, women have traditionally adorned the veil, a sheer fabric to cover their hair and sometimes their face. While some wear it for purely traditional purposes, others will don it as a rite of passage when a girl grows from childhood to adulthood, as do women in Muslim cultures."

This ongoing documentary project about women living with the veil is the subject of her photo reportage Unveiling Women Behind Veils, now appearing on Gaia Photos. Comprised of 52 photojournalists from around the globe, each photographer shares Gaia's united mission of promoting quality and diversity in documentary photography worldwide.

Ms. El-Tantawy says, "The aim of this body of work is not to show the veil as a symbol of repression, but to “unveil” a portrayal of women that will reflect on their dignity and strong character while staying true to their femininity."

ABOUT LAURA EL-TANTAWY

UK born Laura El-Tantawy's photography bestrides the subtle distinctions between documentary and fine art photography. Her photos are inspired by her vision and a pesky persistence to see the world through a vibrant palette of color.

Raised in Egypt, Laura El-Tantawy's personal projects have taken her through Egypt as well as Saudi Arabia, Iran, India, Thailand, Senegal and the Gambia, France, Italy and England.

Her photography has appeared in several print and online publications including; Saudi Aramco World, Harpers, National Geographic, Thailand: 9 Days in the Kingdom, Bangkok 101, Burn Magazine, Eleanor Magazine and F-Stop.

Laura El-Tantawy divides her time between London, UK, and Cairo, Egypt.

Please Visit Us and visit Laura El-Tantawy's website.

You can also search for assignment photographers at Gaia Photos, a place to explore and discover the issues facing the diverse population and locations of our world, both near and far.

Please subscribe to our new features page to keep track of new stories too!

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John Brown Photojournalist On LIGHTSTALKERS
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Wednesday, September 23, 2009

GAIA PHOTOS: Featured Photograph From Italy By Alessandro Vincenzi


The main occupation for young Moldovan women who've emigrated to Italy for work is taking care of elderly people.

Photo © Alessandro Vincenzi All Rights Reserved - Follow Me On Twitter

The juxtaposition of foreground and background provides the element that portrays the contrasting lives of the youthful and aged in this thought provoking color photograph by Alessandro Vincenzi.

Please see the entire photo story, Waiting for Mom by Alessandro Vincenzi, at Gaia Photos, a global group of 52 photojournalists who share a united mission of promoting quality and diversity in documentary photography worldwide.

Stay tuned to see more pictures from one of the nearly 100 photo stories you can view at the popular documentary photography website.

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Tuesday, September 22, 2009

GAIA PHOTOS: Featured Photograph Of African Refugee From The Republic Of The Congo By Espen Rasmussen


"I went back to our fields to get some bananas. We are so hungry. But the rebels were waiting for us in the fields and they attacked us. I managed to get away from them but I don't know what happened to the others," says this man displaced by the violence.

Photo © Espen Rasmussen All Rights Reserved - Follow Me On Twitter

This powerful black and white close-up of the man quoted above by Norway's Espen Rasmussen truthfully encapsulates the state of affairs in the Western African country known as the Republic of the Congo.

In 2008 Mr. Rasmussen, who hails from Oslo, Norway, was named to the Photo District News annual list of 30 photographers to watch from around the world.

Please view more photos from Africa's World War by Espen Rasmussen at Gaia Photos, a global group of 52 photojournalists who share a united mission of promoting quality and diversity in documentary photography worldwide.

Stay tuned to see more pictures from one of the nearly 100 photo stories you can view at the popular documentary photography website.

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JOURNALISM & CORRUPTION IN CAMBODIA: Measuring Passion Against Politics, Money & Fear


Strong and passionate journalists who avoid wrestling with the truth promote freedom of expression in any country.

Photo © Unknown All Rights Reserved - Follow Me On Twitter

In a recent Lightstalker discussion, fellow Gaia Photos member Marc-André Pauzé posed the question, "How come there has been journalists doing their jobs in totalitarian countries with passion and almost no freedom of the press?" They did (and still do) what they believe, out of passion."

Those thoughtful remarks by Mr. Pauzé are points to be pondered and I'll agree that honest, hard-working journalists from the Philippines to Iraq are risking their lives daily to exhume facts that influence us all. Nevertheless, there is a darker, corrupt face of journalism that exists in autocratic pockets of the world that few people seem to confront with honest discussion, particularly journalists themselves.

CAMBODIAN JOURNALISTS ARE CONTROLLED BY POLITICS, MONEY & FEAR

Do all journalists who operate in one-party systems do what they believe out of passion? The answer in Cambodia might depend on how a journalist's passion measures up against the people who butter their bread.

Cambodia’s news media is often described as one of the freest in the region, but as a 2008 report entitled Reading Between The Lines: How Politics, Money & Fear Control Cambodia's Media prepared by the Cambodian League for the Promotion & Defense of Human Rights (LICADHO) states, "If we look beyond just the quantity of newspapers and magazines, and listen to journalists and editors describe their working environment, we find a media closely controlled by politics, money and fear."

The report continues, "Journalists of certain political stripes - those from pro CPP (Cambodian People's Party) [1] newspapers, are usually free to defame, lie and propagandize in their pages with impunity." (pp 20). But those with a non-CPP political bent have regularly faced severe consequences for doing much the same."

BRIBING JOURNALISTS IN CAMBODIA - SHOW ME THE MONEY !

For example, it's common practice in Cambodia for senior political and business figures to grant "one-on-one interviews" to journalists who receive bribes of several hundred dollars. Two journalists described this practice as a form of “peaceful threat”, to ensure positive reporting or to keep reporters silent on sensitive issues [63].

Most journalists interviewed linked corruption to low salaries in the media industry. The average salary for a journalist is between $50 USD and $200 USD per month in Cambodia and 87% of those surveyed by LICADHO said their monthly salaries were insufficient to support themselves and their families [66].

Journalists therefore claimed they are forced to take bribes. On the other hand, while low salaries are no doubt a factor in the practice of corruption, it is by no means a blanket excuse as some better-paid journalists reportedly take bribes as well.

STATING THE FACTS…….ABOUT THEMSELVES

Several sources interviewed by LICADHO for the report said almost all journalists working for Khmer language media accept small bribes, yet in the survey only 33% admitted accepting money for attending press conferences.

Why the discrepancy? As the survey methodology section in LICADHO's report explained, "It was expected that respondents would under-report corruption (especially when related to them) and other sensitive questions." The report continued, "The fact that a third of the survey's respondents admitted accepting bribes is a significant finding."

Interestingly, one reason why journalists - especially freelancers - are quick to seek and take bribes is they often have to pay editors themselves to get their stories published. Commonly, $20- $60 USD is given to an editor by a non-staff reporter to get a freelance story published, a story which has obviously made even more money for the journalist [64].

After evaluating its findings, LICADHO stated, "The widespread corruption within the media raises obvious doubts about whether journalists can, to any large extent, play a watchdog role in exposing corruption and other abuses by government officials or other influential individuals."

CAMBODIAN JOURNALISTS AND NEWSPAPER SCAMS

The LICADHO report claims, "There are a host of newspapers which seem to exist mainly for the purpose of extortion, which publish only when a money-making scheme is underway. They generally come under two categories, “wishing papers” or “blocking papers”.

The "Blocking Paper" Scam

Blocking papers use blackmail to extort money from prominent figures or businessmen not to publish stories, especially when illegal logging, smuggling, corruption (PDF, 5 MB) or extra marital affairs are involved. For major scandals the pay-offs can be high - as much as $1,000 USD for a blocked story according to one senior editor.

Some pseudo-journalists will go as far as printing up a few copies of the story on newsprint to clearly show the damaging story. Others take on-the-spot bribes to turn a "blind eye" to misdeeds. For some it’s an industry.

The Jun Bo Or “Wishing Paper” Scam

In this scam, a publisher will publish an edition devoted to the birthday (or promotion, marriage, etc) of a senior politician and attribute the sponsored advertorial to a mid-ranking official or businessman, sometimes without their knowledge, much less their consent. The publisher approaches these mid ranking officials for payment, which is considered an investment to curry favor with the high-ranking figure.

On slow news days, English language newspapers might even report news of such frauds. After interviewing senior politicians or their spokesperson, it's clear that the high-ranking figures had nothing to do with the publication of such material.

Cambodian Celebrities Buy Fame……And Then Move To America !

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A variation to the wishing paper is celebrities buying fame. Young singers or actors pay publishers to appear on the cover of glossy magazines, according to a senior editor. The bribe for this can be as low as $100 USD. As well as being used for "career enhancement", the editor said these cover shots have also been used in visa applications for the United States, to prove that an applicant is likely to return to Cambodia due to their fame and fortune. “Most of them stay” in the US, he said [41].

POINTS TO PONDER FROM A LICADO CASE STUDY

1. It is common practice for journalists to receive envelopes of money in
exchange for attending press conferences and other events.

2. When a government ministry is involved, it (the money) comes from the finance department of that ministry, as shown by an accounting document provided by a journalist on the condition the name of the Ministry was kept confidential.

3. "Payments" to journalists were confirmed in a separate document, which listed the bribes as “expenses and allowances for journalists”.

So that's how it's done in Cambodia folks.

Marc-André Pauzé is a photojournalist who possesses a deep commitment to the integrity of social reportage so I don't want to infer in any manner that he's unaware of the journalistic environment in Cambodia nor compare Cambodia to a totalitarian country.

In fact, Cambodian Prime Minister Hun Sen recently addressed the issues of Cambodia's democracy and freedom of expression during a recent graduation ceremony speech in Phnom Penh by saying that government critics should "Be careful with the language of "dictatorial regime."

Mr. Hun Sen added, "Be careful, one day legal action will be used ... and "when legal action is used, you guys would say freedom of expression is prohibited, but your expression is wrong." Since Cambodia signed the International Covenant on Civil and Political Rights and incorporated it into Cambodian law, it's apparent that Mr. Hun Sen knows "yellow journalism" when he sees it.

Mr. Pauzé pointed out that W. Eugene Smith that once said, “We should try to be “Honest” in our research of facts." In that light I admire Mr. Hun Sen's dogged and unrelenting dedication to promoting freedom of expression in Cambodia as well as Mr. Smith's and Mr. Pauzé's altruistic natures.

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Nonetheless, the fact remains that corruption in the Cambodian media reflects the reality of Khmer society at large and although journalism is an industry that is supposed to be based on accuracy, fairness, independence and “honesty”, in Cambodia, as the LICADHO report summarizes, "The foundations of ethical journalism can be bought cheaply and the essential role of the media in society is compromised by systemic corruption."

APPEXDIX

1 The Cambodian People's Party is led by Cambodian Prime Minister Hun Sen. The party holds roughly 75% of all elected political offices in Cambodia and is frequently referred to as "The Power Party" by the country's residents.

41 Interview with editor on 12 September 2007.

63 Separate interviews with journalists on 23 August and 27 August 2007.

64 Interview with journalist 27 August 2007.

66 See media survey in annex, Q. 10 for salary and Q. 11 for sufficient/insufficient for needs.

John Brown Photojournalist On LIGHTSTALKERS
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Monday, September 21, 2009

GAIA PHOTOS: Featured Photograph Of Drought Conditions In Kenya By Jenn Warren


Nomads bring their camels to the CARE International sponsored water well in Kumahumato, Kenya. The community struggles to keep their cattle alive due to a prolonged drought and failed rains in the region.

Photo © Jenn Warren All Rights Reserved - Follow Me On Twitter

The serpentine lines of a camel herd captured in this photograph by Jenn Warren outline the struggles CARE International faces while providing food and water to Somali refugees living in Kenya’s northern province.

Please view more photos from Parched Earth by Jenn Warren at Gaia Photos, a global group of 52 photojournalists who share a united mission of promoting quality and diversity in documentary photography worldwide.

Stay tuned to see more pictures from one of the nearly 100 photo stories you can view at the popular documentary photography website.

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Tuesday, September 8, 2009

GAIA PHOTOS: Featured Photograph From Macedonia By Ivan Blazhev


A young woman watches delta-planes from the top of Mount Galichica, Macedonia.

Photo © Ivan Blazhev All Rights Reserved

This black and white photograph captures the essence of "The very complex synchronicity of the desired and what is. The dream accepted as a possibility to confront reality, the dream which just may be more real than reality itself."

Macedonian photojournalist Ivan Blazhev's self-stated intention came to life in the photograph seen above and I posted this image because I want to begin sharing some more photographs from Gaia Photo's growing group of photographers.

Once in awhile I'll post a picture from one of the nearly 100 photo stories you can view at the popular documentary photography website.

Please see the entire photo story, Macedonia Dreaming by Ivan Blazhev, at Gaia Photos, a global group of 51 photojournalists who share a united mission of promoting quality and diversity in documentary photography worldwide.

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CAMBODIA: Miss Landmine Pageant Banned By Cambodian Government


CAMBODIA: Miss Landmine Pageant Banned By Cambodian Government

Photo © John Brown All Rights Reserved

A recent story that appeared in the online edition of BBC News reported," A beauty pageant for landmine victims has been cancelled by the Cambodian government, which branded it an insult to disabled people."

The article continues, "The contest […] would damage "the dignity and honor" of participants." Between four and six million landmines are thought to have been laid in Cambodia during its three decades of civil war [1]. Twenty women were to have competed for the title of Miss Landmine and the prize of a high-tech prosthetic limb.

Government spokesperson Khieu Khanarith said the competition would "make a mockery of Cambodia's landmine victims."

Norwegian organizer Morten Traavik expressed disappointment, but said the contest would go ahead on the internet.

Please continue reading the BBC News report.

HOW DO YOU WEIGH IN?

Negotiating the minefield of public opinion regarding this sensitive subject, the San Francisco Bay Area Independent Media Center remarked, "They way to empower women in the Third World is by throwing out imperialists, and destroying feudalism, comprador capitalism, and patriarchy. Only communist-led revolutions will be capable of enacting the sweeping changes needed to liberate women in our contemporary world."

Unless I'm missing something wasn’t there a few communists hanging around during Cambodia's two decades of civil war? If I remember correctly, Vietnam, a communist country, ran things here in the Khmer empire before Russia turned off the tap in 1989, forcing them to go home.

By the way, what about communist run Laos? Are the Lao Hmong women and children currently being raped and disemboweled by rampaging Lao military and LPDR security forces being liberated by a communist-led revolution?

Whatever the case, I wish all of Cambodia's Miss Landmine contestants, aged from 18 to 48, the best of luck and good fortune.

To the Cambodian government and the rest of the world; while you're out banning contests, do us a favor and ban Communists, people who believe in their brand of BS, LANDMINES AND CLUSTER MUNITIONS.

After all, if the were no landmines, there'd be no Miss Landmine Cambodia Pageant!

EDITORS NOTE

Learn more about what's happening in Laos and get detailed information regarding Cambodia's de-mining efforts.

Also, please view a photo story by fellow Gaia Photos member Paulo Nunes dos Santos about Cambodia's Land Mine Survivors.

APPENDIX

1. The Civil War lasted 20 years.

John Brown Photojournalist On LIGHTSTALKERS
My Mondo Library Photography
My Photoshelter Photography Archive Homepage
GAIA Photography and Photojournalism

Monday, August 31, 2009

CHILD LABOR: It's Time To Stamp It Out Worldwide


A young boy shoulders a heavy load in Aranyaprathet, Thailand.

Photo © John Brown All Rights Reserved

As many people in the Western World are being bombarded by advertising announcing "Back to School" sales, millions of children from Burma (Myanmar), Nicaragua and Cambodia to Thailand, Bangladesh, Brazil, India and Africa work in dumps, brick factories, tanneries and garment manufacturing facilities, toiling daily. Others survive by shining shoes and washing cars or selling books and water.

The children are seemingly exploited by nearly everyone, from factory owners and "businesspeople" to their own parents. Strangers get in on the act too, trafficking youngsters or buying them glue to sniff, all in the name of greed and profit.

As Americans spend about $300,000,000 USD per day on the war in Iraq, in Bangladesh a child laborer working in a factory earns 400 to 700 taka per month ($1 USD = 70 taka) while in Cambodia, a dump child takes home about $15 USD per month.

According to a report regarding child labor issued by the Cambodian League for the Promotion and Defense of Human Rights (LICADHO) authored by Dr. Poch Bunnak, Director of the Center for Population Studies at Royal University of Phnom Penh, Cambodia, "Understanding the causes of child labor can help develop workable strategies for campaign and activities against the worst forms of child labor."

Understanding the causes or not, what's clear is the child laborers endure horrendous working conditions in many instances, laboring for entities that don't have any work regulations or safety measures. Perhaps a shift in priorities is needed somewhere.

Are you interested in gaining more awareness of this worldwide scourge? If so, please have a look at the following photo stories by Gaia Photos members GMB Akash, Alex Masi, Luca Tronci and me.

Child Labor In Bangladesh

Child Labor In Cambodia

Child Labor In India

Child Labor In Nicaragua

Good luck to your kids this school year.


GAIA PHOTOS: Photojournalists In 31 Nations Unite To Promote Quality & Diversity In Documentary Photography Around The World


See beyond your own world from wherever you are with Gaia Photos.

Photo © John Brown All Rights Reserved

The comments are starting to flood in over at Gaia Photos.

Awhile back, I received a comment regarding a photo story I posted on Gaia Photos entitled, Cambodia: Poverty On Smokey Mountain from the folks over at Oudam.com.

The comment read, "Cambodia relies too much on two industries: textile and tourism. These industries are particularly vulnerable to the global economic downturn. We need to focus our resources on our natural strength, which is agriculture, not tourism or textile."

Well folks, these are just the types of thoughts the Gaia Photographers hope you share with them. Perhaps others who have the wherewithal to provide solutions to some of the world's most perplexing issues will join the discussions too.

About Gaia Photos

For newer readers here, Gaia Photos is a new international photography source comprised of 50 photojournalists from around the world whose mission is to promote quality and diversity in documentary photography.

We hope to serve broader GLOBAL interests while connecting with endeavors such as the ones serving LOCAL interests of folks like Oudam.com viewers.

Oudam.com provides hundreds of Khmer karaoke videos gathered from various places on the web, mainly YouTube.com, providing hours of entertainment and has evolved into an online venue that serves broader Cambodian interests.

Since over 75% of Oudam.com's viewership comes from the United States and Japan, presumably Cambodians living abroad are interested in Khmer karaoke videos and culture, and perhaps the current state of affairs in their homeland as well!

Of course one doesn't need to hail from or be interested in Cambodia to learn more about local issues around the world.

Based in 31 countries that span the globe, the Gaia Photographers were brought together by Nepal based photojournalist Morten Svenningsen and in just 8 months, the crew has filed nearly 100 stories from 46 nations about the planet we live on, from Iraq and India to Brazil and the United Kingdom.

Our photography has been featured in publications spanning the likes of Environment Magazine and The New Internationalist, to National Geographic and The New York Times.

Come Help Us Build The GAIA PHOTOS Brand

If you’re an actively working (freelance) photojournalist who reports on social, humanitarian and environmental issues, you are welcome to apply for membership! Please look at the site for further details: http://www.gaia-photos.com/join-gaia/ but please keep in mind that Gaia Photos is NOT a new flickr or citizen journalism project and there is a short application process.

New Facebook Fan Page

Gaia Photos now has a new Facebook Fan Page. If you are using Facebook, you can sign up and you'll get new features served on your Facebook wall automatically.

John Brown Photojournalist On LIGHTSTALKERS
My Mondo Library Photography
My Photoshelter Photography Archive Homepage
GAIA Photography and Photojournalism

Monkey's Revenge Photography Blogger John Watts-Robertson Wins David Bailey Bollocks Award


Photo © John Watts-Robertson All Rights Reserved

Two time UK Photographer of the Year John Watts-Robertson has been an editorial photographer since the age of 17 and worked his way up from weekly and regional newspapers to freelancing for national and international newspapers and magazines.

He also blogs about his personal and professional life over at Monkey's Revenge but be prepared, this bloke has a sense of humor. For example, did you know that John Watts-Robertson conducts photography portfolio reviews?

"For only $100 ‘JR’ will carry out a 20 minute assessment of your portfolio.

"Learn your strengths and weaknesses. Gain confidence to face the world’s picture buyers. Invest in your future. Every photographer whose work is evaluated will get a free Magnum ice cream of their choice, (may take up to 21 days to arrive)."

"John Watts-Robertson, ‘JR’, is an ageing photographer who has worked for many of Northamptonshire’s leading publications. He is mentioned in Debrett’s ‘Who's Nobody’ and is a former ‘David Bailey Bollocks Award’ Photographer Of The Year recipient. As picture editor of The Rothwell Parish Magazine he is very much in the know when it comes to choosing the right daguerreotype for the job."

What will you learn about photography over at Monkey's Revenge? Well JR isn't a "gear head", but you'll realize that just as important as photography equipment, this business is also about mirth and fun.

Now go outside, stand by your mailbox, and wait for your free Magnum ice cream to arrive!

John Brown Photojournalist On LIGHTSTALKERS
My Mondo Library Photography
My Photoshelter Photography Archive Homepage
GAIA Photography and Photojournalism